Leading lines are a common element of composition. Michael Kenna was born in Widnes, England in 1953. January 2003. Other artists, in many mediums, have greatly helped my own development as a photographer. Ansel Easton Adams, a photographer and an environmentalist, famously known for the landscape photography, came to the world in February 20, 1902, in San Francisco, California. Michael Kenna: I don’t think there was ever a decisive moment when passion and enlightenment about photography suddenly enveloped me. I've been a long time fan of Michael Kenna and spent time analyzing his composition and post-processing techniques. Barren seascapes, abandoned fishing nets, fragmented piers, mysterious horizons, trees emerging from under snow drifts – these are just some of the images which dominate Michael Kenna's work from Japan. I have gone to places where they have photographed and have consciously and unconsciously emulated their style and subject matter. Web Galleries RECENT PRINTS. Four Birds, St. Nazaire, France 2000 is a striking minimal photo, with three bold, dark lines arising from the bottom of the frame, leading the eye to three birds sitting at the ends of poles (dead center in the frame). His images are simple and quiet, empty but for the bare minimum of visual elements. In this article, I will discuss Michael Kenna’s use of leading lines. Kenna's photography focuses on unusual landscapes with ethereal light achieved by photographing at dawn or at night with exposures of up to 10 hours. In future articles, I’ll look at some of the other compositional strategies that Michael Kenna uses, such as centered objects, repetition, reflection, and more. So you come in here [bottom right] and you wander along and you go out here [top left]. I came across his work after I started doing night work - I've tried some Kenna-esque black and whites to complement my normal color work. November 20 - December 19. Category: Photographers - Quotes / Favorites And this is the lightest part; it’s not by coincidence. The aspect of unpredictability inherent with night exposures can also be a good antidote for previsualization…” – Michael Kenna, “When exposures last hours rather than fractions of a second, there is much time for watching. The Rouge, by, and autographed Michael Kenna Leading lines don’t always have to be straight lines, and can sometimes be implied by elements of a photo. He allows the scene to speak for itself and embraces a Zen-like approach to image … Thinking about this, and looking over his work in the dozen books I own, I’ve isolated a number of types of composition in Kenna’s photos. I have done this out of basic courtesy and respect. In B&W the structure jumps out instead. In Stark Outlook, Kucharo Lake, Hokkaido, Japan 2004, the dark and light are reversed. Pebble Beach, Ault, Picardy, France 2009 has a different perspective. As the eye perceives these birds, it then spots the fourth bird, to the left, it flight, looking almost ephemeral. Sometimes it is a basic concern for security but at others it is a more meditational activity. (Another comment element of Kenna’s composition is centering.) Japan / Buddha exhibition. Michael Kenna's quiet approach to the environment provides a glimpse into the provocative and subtle serenity of landscape photography. In 1953, Michael Kenna was born in Lancashire, England, into an Irish Catholic family. I don't have anything against social media but I find my days are already full, and I can't even keep up with emails, so I haven't, and probably will not, embrace further [online] … Other times, you think you’re getting something amazing and the photographs turn out to be boring and predictable. You’ve obviously been a busy fellow! When you make four-hour exposures in the middle of the night, you inevitably slow down and begin to observe and appreciate more what’s going on around you. “I do have strong convictions and political opinions, but I don’t think it’s necessary to imbue my photographic work with them. Michael Kenna is one of the most important living black and white landscape photographers. B&W is the ice cream sundae and color is the cherry on top. I don’t recall where I first encountered his photos, but, although they were not the street photography I was attracted to at first, they struck a chord. Lovely article. The viewer can then wonder where it goes, and what’s on the other side of the hill. Kenna's photography focuses on unusual landscapes with ethereal light achieved by photographing at dawn or at night with exposures of up to 10 hours. See available photographs, prints and … $25.99. As one of 6 children born to a working class Irish-Catholic family, he initially aspired to enter the priesthood but his passion for the arts led him to The Banbury School of Art where he studied painting and then photography. This site uses Akismet to reduce spam. This is a very simple image, but it represents the most typical use of leading lines in Kenna’s photography. Here’s a photo from the exhibition: Winding Wall, Mont St. Michel, France 2004. Michael … View Michael Kenna’s 887 artworks on artnet. Whatever it is that drives him, landscape photographer Michael Kenna has been travelling the world for more than 40 years, carrying his heavy Hassleblads to countries ranging from France to Japan, often working at night or in the early hours of the morning … So I think that’s why, a long time ago, I consciously tried to let go of artist’s angst, and instead just hope for the best and enjoy it. It’s enlightening, therapeutic and satisfying, because the very process forces me to connect with the world. Michael Kenna, a letter from Shinan Michael walks through the forests of mist and into the trails of nowhere. These lines may be straight, crooked, or angled, and light can affect how they are perceived. This is one of his primary compositional elements, and looking at a collection of his work, even the one in this exhibition (which contained about 40 photos), it’s clear how he uses this technique. We recently had a Michael Kenna Photography Facebook fan page put up and there are now about 14,000 fans. I do not feel that I have ever stolen from these artists.” – Michael Kenna, “I think style is just the end result of personal experience. Here’s what he said to me about the above photo: "I think with many of my images I have pathways, I have directions, I have tunnels of trees… I have boardwalks that go out because I’m creating something of a stage for the viewer to go onto and to be on their own, to be solitary. These shadows can invite us to imagine what is hidden. I use photography as a vessel for visual material to flow through, to encourage conversation with the viewer. I try to present a catalyst and invite viewers to tell their own stories.” – Michael Kenna, “I find that when one has worked long enough, technical know-how becomes almost irrelevant. One thing I took away from our discussion – both during the interview and afterwards – was the carefully refined composition of his photos. //. One advances by “standing on the shoulders of giants”. There can be deep shadows which act as catalysts for our imagination. Kenna studied painting and photography at the Banbury School of Art and later attended the London College of Printing (now the London College of Communication). And I love that, because there’s a question mark. All of the above photos have leading lines that go from the bottom right of the frame toward the top left. People use them all the time, leaving their energy and memories behind. The eye follows this pier to its end, which leads to the dark cloud, then back to the beginning of the pier again, in an endless cycle. Using the analogy of the theater, I would say that I like to photograph the empty stage, before or after the performance, even in between acts. Here’s Stone Pine Tunnel, Pineto, Abruzzo, Italy 2016. Michael Kenna is no doubt a contemporary master at photography. Chasing time and unexplainable silence just to be felt amongst a land of islands, a must watch video. I don’t need to go very far to find examples, and, to discuss leading lines, I’ve decided to limit myself to the photos that were in this exhibition, though there are plenty of other examples throughout his work. It was previously published in French, but will be published in English by Nazraeli Press later this year. For the photographer, real can become surreal, which is exciting. Michael Kenna (b. I look for traces of the past, visual fingerprints, evidence of activities – they fire my imagination and connect into my own personal experiences. Sometimes I choose “where” I want to photograph, then look for the “what” when I get there! He gained fame in this field as a photographer of the American West, and for his black and white photo of a landscape, markedly for the Yosemite … Sometimes, lines lead the viewer to a main subject; other times, which is common in Kenna’s photos, they lead into the distance, often into a vanishing point of nothingness. Tags: Creativity - Quotes, michael kenna, Photographers, John Paul Caponigro – Digital Photography Workshops, DVDs, eBooks. Red is the most important color to this system. With a career stretching more than 45 years, his work has been exposed in hundreds of exhibitions, and, to his count, he has published 72 books, with more in the works. Often working at dawn or during the night, he has concentrated primarily on the interaction between the ephemeral atmospheric condition of the natural … We are used to working with a single light source, the sun, so multiple lights that come from an assortment of directions can be quite surreal, and theatrical. In the second one, the path is pretty much straight up the center of the frame. Poplar Trees, Fucino, Abruzzo, Italy 2016 shows a combination of two compositional elements: leading lines and repeated elements. The make of camera and type of film we happen to use has little bearing on the results.” – Michael Kenna, “I don’t have any particular method to my madness. As small tokens of appreciation, I have often credited those influences openly by including their names in the titles of work. And he mainly uses Hasselblad medium format and Holga cameras, accounting for the square format of most of his photographs. It’s that enigma, that illusion, that use of our own creative imagination that’s very important to me.". On my own journey, I have actively tried to see through the eyes of many well known photographers, including but not limited to Atget, Bernhard, Brandt, Callahan, Cartier Bresson, Giacomelli, Misrach, Scheeler, Steiglitz, Sudek, Sugimoto, Weston (Brett) and many others. Now to Michael Kenna. Wind, rain, mist, etc., all have effects on the eventual image. I love the atmosphere of anticipation, the feeling in the air that events have happened, or will happen soon…” – Michael Kenna, “Perhaps most intriguing of all is that it is possible to photograph what is impossible for the human eye to see – cumulative time.” – Michael Kenna, “Nothing is ever the same twice because everything is always gone forever, and yet each moment has infinite photographic possibilities.” – Michael Kenna. View 12 Great Photographs By Michael Kenna. The eye is drawn by the lines which generally stretch from the foreground to the distance. The third time it is even more challenging and on each subsequent occasion, the images should get stronger, but it takes more effort to get them.” – Michael Kenna, “Getting photographs is not the most important thing. First Ward Alderman in Chicago from 1897-1923. Kenna uses long exposure times and shoots in inclement weather to obscure the details of the vistas before him, instead … There is often a sense of drama, a story about to be told, secrets revealed, actors about to enter onto the stage. Gallery Art Unlimited, Tokyo, Japan. I love the journey as much as the destination. – Michael Kenna “I find that when one has worked long enough, technical know-how becomes almost irrelevant. His unique minimalist imagery has inspired many, and earned him a huge and loyal following. Finally, Michael Kenna has a number of photos like Hillside Fence, Study 5, Teshikaga, Hokkaido, Japan 2004: These ultra-minimal photos, of which Kenna has realized many, show little more than a fence line (often made up of posts or sticks) against the bright white of the snow. Sorry, your blog cannot share posts by email. These two systems seem to compete with each other when we look at a photo, a special case of seeing. Michael Kenna looks for simplicity in his composition, moving closer or framing the subjects to get rid of extraneous objects. Brooks Jensen: Your 20th book is about to be published – this one entitled Calais Lace. This is about as close to Kenna's style as I've come: As for technique, I don't do anything special for black and white. I think there is far too much literature and far too much emphasis upon the techniques of photography. The more you get yourself out there, whether you wake up at 5:00 a.m. to pouring rain or not, the more you’re likely to experience the wonderful happenings that are going on all around you. The blurry white water, shot with a long exposure, adds mystery to the end of the slipway, and the viewer can see a bit of darkness near the end of the slipway where it has been wet by the water. Click to share on Twitter (Opens in new window), Click to email this to a friend (Opens in new window), The Composition of Michael Kenna’s Photographs: Leading Lines, interview him for the PhotoActive podcast, 45-Year Retrospective Exhibition at Bosham Gallery, Bob Dylan’s Rolling Thunder Review Recordings, New Security and Privacy Features in macOS Catalina and iOS 13. However, art quickly became his strongest subject and at the age of 17 he moved to Banbury School of Art in Oxfordshire. So powerful that my first photography book is The Rouge, a signed copy of it. The perspective becomes a lot clearer from such high ground. The second time, I have to look a little deeper. And an evolutionarily newer color one that cues on the meaning of a color in context defined biologically (red blood) or culturally (red light). MK: It’s called Easter Island and is published by Nazraeli Press. On the Shoulder of Giants, Camera Darkroom Magazine, July 1995 In the Darkroom with Michael Kenna, Photowork, 1997 Interview with Michael Kenna, Photoforum, 2003 Michael Kenna Interview, Photo Review, 2003 Pro Cameraman interviews Michael Kenna, Dolby … These floating ideas usually turn out to be the catalysts for my future projects.” – Michael Kenna, “I sincerely believe it is normal and healthy to study the work of other artists, and even imitate other’s efforts, as a means to explore one’s personal vision. I watch the sky and imagine what patterns the clouds and stars will make on my film. It has been thus throughout history in all mediums of creative expression. The result of his efforts can be seen in two books, Hokkaido (2006) and Japan(2002), both published by Nazraeli Press. Kenna was actually somewhat responsible for the creation of the Chicago Outfit of today. … first Ward Alderman in Chicago from 1897-1923 red is the cherry on top out how to landscape... 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